![]() Still, the music found a stable home in predominantly black communities welcoming of listeners of all-races.Īs aforementioned, jazz briefly achieved mainstream appeal in the late mid-20th century, guided by the consistent avant-garde innovation of Miles Davis and others. The components produced a “low-brow” social score in the turn of the century court of public opinion. Unlike baseball, the cultural elite was slow (about 60 years) to endorse jazz as urbane, chastising its brash spontaneity and provocative antiphonies, which exploited complex, elemental rhythms. Jazz, for instance, hit its first major growth spurt alongside the advent of Major League Baseball, quickly developing and stabilizing its fanbase by the early 20th century, spearheaded by legendary talents such as Louis Armstrong and Sidney Bichet. Whereas the thrust of America’s political and economic cultural machinery propels baseball to an uncontested (yet unmistakably artificial) mainstream, other activities are put on the nation’s backburner, left to fuel their ascent to prominence. Chen would break word of either outcome.) I see the fight unfolding in one of two ways: baseball toughs out a redemptive underdog win or suppresses a gut-wrenching affirmative loss. ![]() Its corner is stacked with fierce pit bulls. ![]() (Note: I do not count baseball out on this ticket, however hypocritical it may sound. ![]()
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